April StephensonSanta Ana Recording Connection

Cht 5 Microphones Posted on 2017-07-08 by April Stephenson

Best Microphones to buy:

  • 1) Max SPL 150 dB
  • 2) For overhang room - Bidirectional
  • 3) For up close and deep - Carioid
  • 4) For preceise - Ultra Cardiod
  • 5) For acoustice instrumentation and voice - Hi pass Filtered mics
  • 6) dB Switch Pad is a must!!
  • 7) Switch Pattern Mics Prefered
  • 8) at least 3 Shure SM57/58 Mics
    • SM58 Comes with Pop filter for voice

Miking:

  1. Bass:  Dynamic mic 7-12 inches from Bass amo
  2. Electric Guitar: Distortion, dynamic mic close to amp. clean, move untill "sweet spot" is found in the room.
  3. Acoustic Strings (Guitar,, bass, ect): Sterio Miking with condenser or ribbon mics
    1.  Sterio miking as XY position, or spaced pair towards to hole and neck
  4. Drums:
    1. Mic toms  with individual dynamic mics
    2. Capacitor mic 8 inches above or below the high hat, or condenser mic 2-3 inches away.
    3. Spaces sterio pair infront of drum kit 3-6 feet away, 2-4 feet apart
    4. Dynamic mic inside bass drum port hole, 8 inches from beater with blanket or pillow inside drum
    5. Mic snare with dynamic mic 2 inches away and above the drum. Make sure it is pointed away from high hat and toms.
      1. Possible to place second dynamic mic 2 inches away and below, beware of phase shift.
    6.  

Notes:

  • The larger the diaphram, the lower the frequences they pick up.
  • vice verse, the smaller the diaphragm, the high the frequences they pick up.
  •  

 

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