Equalization - Posted on 2016-05-30 by Koby Parks

Koby Parks - May 29, 2016

This chapter went in depth on different ways and possibilities of altering the frequencies of recorded sounds to better fit in a mix, or to equalize the mix overall. Equaliztation started out as a way to assist in long distance voltage transmission, and over time evolved into the device we use to alter frequencies. With equalization there are really no limits to what you can do with it. You can or boost any frequency from 20Hz - 20,000kHz. You can cut the "mud" or extra "fuzz" out of a track to get the clarity you're looking for. However, this doesn't mean you should EQ everything. Some things are left better off the way they are, maybe with some gain reduction(compression), etc. But we'll get to that next chapter.

In the studio Alex pulled up a version of the project I've been working on and he showed me some examples on how to EQ certain drums, guitars, and vocals. After some examples he turned the mouse over to me and had me get in and attempt some EQing. My best interpretation of EQing anything is listen to it for awhile, find what you like or don't like about it. Cut the annoying sounds out and boost what you need for that extra finesse in the sound quality. I would go into further detail but after all I did pay for the knowledge I'm receiving ;) the rest is up to you. Experiment until there's nothing to experiement.

I also sat in another session this past week while Soviet Dog Fight recorded their upcoming album. I don't like to give many details about unreleased music, but my favorite part about this session was seeing how the band used the same (or different) sounds and tones across the album to simplify the process. I was also active in setting up microphones and equipment for recording and helped Alex out when he needed it.