Arthur GarrosLos Angeles Recording Connection

Chapter 5 Posted on 2015-10-20 by Arthur Garros

frequency response defines range of sound mic can reproduce

flat responsse - reproduces all noises with no distortion of sound

shaped response - more sensitive to some frequency ranges than other

increasd sensitivity in upper mid range adds clarity to vocals

descrteaded senseitivyt to low frequencies - reduces pickup of room noise and vibration and counteracts buildup of base when mic is used close to source which is called proximity effect

mics with shaped response works better than flat response - 

some mics allow frequency response to be adjusted 

most common- low frequency roll off control - mic sensitivity to low frequency sound is reduced 

high pass filter allows higher frequencies to pass 

polar pattern - the area a mic covers

omnidirectional - equally sensitive to sounds from any direction 

cardiod - shape of a heart - popular in studios bevause good at isolating the vocaks or instruments

supercardiod / hypercardiod/ ultracardiod

bidirectional/figure 8

signal to noise ratio 

impedence - measure of resistance to flow of energy 

Maximum SPL - the maximum decibel that is comfortable for hearing. Painful sound starts at 120 db SPL

 

 

« Return to Arthur Garros's Blog

More Blog Entries from Arthur Garros

Arthur Garros

Chapter 8Posted by Arthur Garros on 2015-12-01

Pro tools = industry standard  Efficiency, speed  Start using the shortcuts, templates, for example reverb settings  Getting started quickly, having tricks that set you apart will get you the job... Read More >>

Arthur Garros

Chapter 7 Posted by Arthur Garros on 2015-11-23

Tracking live vs. overdubbing - what do these mean?  Being personable is very important - remembering people's names  first step is seeing the artist rehearse before recording, take notes such as song names, people, tempo, write suggestions and thoughts... Read More >>